Becomings
2023—2025
Becomings constructs a continuously evolving spiritual ecosystem. These entities emerge from natural energies while bearing the weight of lived experience. They are born from soil, natural beings, individual instincts, and emotional landscapes—embodying both flesh and spirit, grounded reality and fertile imagination. I explore them primarily through ceramics and painting, where clay holds the tension between softness and hardness, time and memory, allowing narratives to grow slowly within form. My work reflects a deep concern for the relationship between human and nature, the fluidity of identity, the formation and collapse of emotional structures, and how individuals reconstruct internal order amid disorder and solitude, reclaiming self-awareness and spiritual boundaries through rupture and reassembly. This series offers an inclusive and open narrative: these lifeforms are not confined to idealized images, nor do they shy away from personal struggle. Each character is both a symbol of strength and perception, and a vessel for emotion and the unknown. It is a world in constant becoming, a multi-layered dialogue between self, nature, gender, spirit, and reconstruction.







Fantasy Plant Series
2024—2025
The Fantasy Plant series portrays a form of plant life with self-awareness. Primarily through painting, combined with ceramic sculpture, I create these organisms with soft, spiraling forms, heart-shaped sensory structures, and delicate tendrils—placing them somewhere between the real and the imagined.
They symbolize the growth of memory, the echo of emotion, and the fluid connection between human and nature. This series seeks to externalize inner experiences into organic forms, using a botanical language to respond to emotion, memory, loss, and regeneration. These plants act like a psychic climate system, recording and reflecting the inner fluctuations of the self—offering an ecological fable born from deep within.

Skull Girl Series
2019—2021
Skull Girl embodies a sense of pure freedom and fearlessness. She has no fixed identity and does not conform to existing structures—instead, she responds to the most instinctive voice within. She is solitary but not fragile, blank yet full of possibility.In this series, I focus on the emotional architecture and boundary awareness of individual existence. Through ceramics and painting, I explore how the self reconstructs its inner structure in states of disorientation and solitude, and how strength and identity emerge through fragmentation and reassembly.Skull Girl stands as a symbol of inner freedom—a challenge to conventional identity and order, and an embrace of the unknown.